Suspense  (1949)

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Atlas ⋅ 1949

Low
$75
Mid
$220
High
$730

Canadian ⋅ Bell Features ⋅ 1949

Low
$75
Mid
$220
High
$730

Atlas ⋅ 1950

Low
$35
Mid
$110
High
$365

Atlas ⋅ 1950

Low
$35
Mid
$110
High
$360

Atlas ⋅ 1950

Low
$50
Mid
$150
High
$495

Atlas ⋅ 1950

Low
$80
Mid
$240
High
$805

Atlas ⋅ 1951

Low
$40
Mid
$120
High
$395

Atlas ⋅ 1951

Low
$110
Mid
$330
High
$1.1k

Key Facts

Cover art by Sal Brodsky

Atlas ⋅ 1951

Low
$55
Mid
$160
High
$525

Atlas ⋅ 1951

Low
$35
Mid
$110
High
$370

Atlas ⋅ 1951

Low
$60
Mid
$185
High
$615

Atlas ⋅ 1951

Low
$45
Mid
$140
High
$460

Atlas ⋅ 1951

Low
$65
Mid
$200
High
$660

Atlas ⋅ 1952

Low
$60
Mid
$180
High
$600

Atlas ⋅ 1952

Low
$85
Mid
$255
High
$850

Atlas ⋅ 1952

Low
$65
Mid
$190
High
$630

Atlas ⋅ 1952

Low
$90
Mid
$265
High
$890

Atlas ⋅ 1952

Low
$95
Mid
$280
High
$935

Atlas ⋅ 1952

Low
$75
Mid
$225
High
$745

Atlas ⋅ 1952

Low
$120
Mid
$360
High
$1.2k

Atlas ⋅ 1952

Low
$75
Mid
$220
High
$740

Atlas ⋅ 1952

Low
$55
Mid
$160
High
$535

Atlas ⋅ 1952

Low
$100
Mid
$295
High
$975

Atlas ⋅ 1952

Low
$90
Mid
$275
High
$915

Atlas ⋅ 1952

Low
$110
Mid
$330
High
$1.1k

Atlas ⋅ 1952

Low
$65
Mid
$190
High
$640

Atlas ⋅ 1953

Low
$90
Mid
$275
High
$920

Atlas ⋅ 1953

Low
$60
Mid
$175
High
$575

Atlas ⋅ 1953

Low
$75
Mid
$225
High
$750

Atlas ⋅ 1953

Low
$40
Mid
$165
High
$650

Key Facts

Four-page story titled Raving Maniac, written by Stan Lee that expressed his views on the intention and effect of horror comics during a time when the medium was facing heavy public scrutiny

Stan Lee appears in his own story as an editor confronted by an irate advocate of the theories presented by psychiatrist, Fredric Wertham, who went on to write the industry-altering Seduction of the Innocent (1954)

The “Raving Maniac” character is a representation of Wertham whose work led to the establishment of the Comics Code Authority

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