Suspense  (1949)

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Atlas ⋅ 1949

Low
$65
Mid
$190
High
$630

Canadian ⋅ Bell Features ⋅ 1949

Low
$70
Mid
$205
High
$680

Atlas ⋅ 1950

Low
$35
Mid
$110
High
$365

Atlas ⋅ 1950

Low
$40
Mid
$125
High
$415

Atlas ⋅ 1950

Low
$50
Mid
$145
High
$480

Atlas ⋅ 1950

Low
$80
Mid
$235
High
$790

Atlas ⋅ 1951

Low
$40
Mid
$120
High
$400

Atlas ⋅ 1951

Low
$100
Mid
$300
High
$1k

Key Facts

Cover art by Sal Brodsky

Atlas ⋅ 1951

Low
$50
Mid
$145
High
$490

Atlas ⋅ 1951

Low
$35
Mid
$110
High
$370

Atlas ⋅ 1951

Low
$60
Mid
$180
High
$600

Atlas ⋅ 1951

Low
$45
Mid
$135
High
$455

Atlas ⋅ 1951

Low
$65
Mid
$190
High
$625

Atlas ⋅ 1952

Low
$60
Mid
$180
High
$600

Atlas ⋅ 1952

Low
$85
Mid
$250
High
$825

Atlas ⋅ 1952

Low
$60
Mid
$180
High
$600

Atlas ⋅ 1952

Low
$85
Mid
$255
High
$845

Atlas ⋅ 1952

Low
$90
Mid
$270
High
$900

Atlas ⋅ 1952

Low
$70
Mid
$215
High
$720

Atlas ⋅ 1952

Low
$110
Mid
$330
High
$1.1k

Atlas ⋅ 1952

Low
$75
Mid
$220
High
$740

Atlas ⋅ 1952

Low
$55
Mid
$160
High
$540

Atlas ⋅ 1952

Low
$130
Mid
$390
High
$1.3k

Atlas ⋅ 1952

Low
$55
Mid
$160
High
$540

Atlas ⋅ 1952

Low
$110
Mid
$330
High
$1.1k

Atlas ⋅ 1952

Low
$60
Mid
$185
High
$615

Atlas ⋅ 1953

Low
$90
Mid
$265
High
$890

Atlas ⋅ 1953

Low
$55
Mid
$165
High
$555

Atlas ⋅ 1953

Low
$75
Mid
$220
High
$730

Atlas ⋅ 1953

Low
$40
Mid
$165
High
$650

Key Facts

Four-page story titled Raving Maniac, written by Stan Lee that expressed his views on the intention and effect of horror comics during a time when the medium was facing heavy public scrutiny

Stan Lee appears in his own story as an editor confronted by an irate advocate of the theories presented by psychiatrist, Fredric Wertham, who went on to write the industry-altering Seduction of the Innocent (1954)

The “Raving Maniac” character is a representation of Wertham whose work led to the establishment of the Comics Code Authority

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